Desc: Sessiz Ciglik: Directed by Mehmet Tanrisever. With Mehmet Tanrisever, Tarik Tanrisever, Hamdi Kahraman, Hamit Serdar Öz. Muhammed is a film director who makes independent films about human and social values with his own vision, with the capital he earned from his business life. The glitches and roughnesses caused by the crew in the preparation and shooting process of the film wears Muhammed down a lot. Many people from the film crew are in cultural and social corruption, and the depressive life of most of the crew negatively affects Muhammed's mood. The screenwriter struggles with panic attacks and alcohol problems, the production staff make constant negligence and mistakes, the actors end up in police stations, an employee harasses another employee. No one in the team can keep up with Muhammed's work energy. Muhammed left the set for a while during the shooting and hit the road with his car. Finding himself in the farm of Mümin, a former film director, Muhammed has a long conversation with his old friend. The believer also suffered from similar troubles and social corruption and gave up and retired. Muhammet persuades his old friend Mümin to come with him after their conversation. Returning to the set, Muhammed tells the crew, who were waiting to be lethargic and disorganized, to follow him with the vehicles. Muhammed's car is in the front, all the team vehicles come in a row behind a green hilly area. This is a special place where Muhammed used to come and contemplate with his friends from time to time. Muhammed asks everyone to form a circle. However, Muhammed, who is supposed to stand at the monitor, leaves the director's chair vacant this time and takes the lead. The film crew is baffled. There is no such scene in the script. What kind of scene is this? And if even the cameramen are in this ring, who will shoot the scene? The whole team starts the "Dhikr of Asma" in line with Muhammad's instruction. This is the thought that came to Muhammad's heart. People who want to make art and seek the good and the truth must first purify their own minds and hearts. Now, in this collective dhikr, there is Muhammed himself and his youth, his reclusive director friend Mumin, and his whole life.